Monday 29 November 2010

How deep is your love?

How do you feel when you see an armful of ink? The smooth skin of a forearm decorated with tattooed designs of the wearers choice.

Is it art? Is it beautiful? Is it self harm? Do you find it ugly? Do you find it offensive?

Do you feel differently about a middle aged man, dressed in biker leathers with 'LOVE' and 'HATE' inked across his knuckles than you do about Rihanna and her 'Sssshhhh' finger tattoo?

We are moving beyond the first decade of the twenty-first century yet I would hardly call our modern society progressive. The practice of tattooing has existed for centuries yet the stigma attached to it remains as well rooted as the ink beneath the skin. 

I have been tattooed six times, resulting in three different designs. Whilst the tattoos on my feet and hip remain largely unremarked upon, no doubt due to their positioning, the one on my wrist garners a large amount of attention. 

I am quite an impulsive person and I have a very short attention span when it comes to my appearance. I've had more hair cuts and radical colour changes than I can count and went through a phase, between the ages of 15 and 18, of getting anything and everything pierced (the top count was around 13 at one time). Unsurprisingly, with my frequent visitation to piercing parlours and my penchant for emo/pop-rock music, it wasn't long before I went under the needle. Stupidly, as a naive and hopeless rebel, I got my first tattoo several years before the legal age. I wouldn't necessarily say that I regret it, as I like to think of all my (many) errors in judgement as stories to tell, but I would definitely think twice before doing it again. When I was younger I don't think I fully comprehended the concept of permanent or FOREVER. You can take a piercing out and the wound will heal but, aside from costly and painful laser treatment, a tattoo is for life.

My first tattoo was an outline of three stars on my hip. So far, so OK. 

My second tattoo was absolutely a mistake which I regret. On my seventeenth birthday I casually strolled into the local tattoo parlour and without contemplating it at all requested that a simple five point star be scratched onto the pale white skin of my right inner wrist. BIG MISTAKE. The tattoo artist was, as I later found out, a guy with a drug problem who wasn't quite 'with it' at the time. I was left with a slightly blurry, blob like star which was more of an eyesore than a beautiful piece of body art.

Lesson learnt. Research your artist and plan your design carefully before committing to the actual tattoo.

For my twenty-second birthday this year I got the above mistake corrected. That little blur of a star was covered up by a beautiful rose and a quote from my favourite poem:


Before:


After:



Now, I can say with certainty that this is, in my opinion, a beautiful piece of art created by a true artist.

Being so obviously displayed this tattoo has opened up conversation with many a friend, work colleague and stranger. People instinctively hold my wrist and try to contort my arm in impossible positions so as to read the words. I don't mind. I like the attention and I like, what is mostly, the appreciation.

However, a lot of people still consider such visible tattoos to be displeasing. Perhaps it is because tattoos, for them, are still attached to the stereotypes of leathered up rocker types and fake Burberry wearing chavs. I don't dispute the fact that a proportion of these social groups have tattoos which, for some, may not be visually pleasing in design. But I don't think that extensive body art necessarily correlates to a bad attitude or unpleasant personality. Tattoos shouldn't be victims of discrimination because of their, frankly outdated, association with the antisocial behaviour of a minority. 

Just because I have permanent ink under my skin this doesn't equate to my being any less of an intelligent and well brought up individual.

On the catwalks for AW10 body art seemed to be a favourable trend. Rodarte embraced tribal body paint whilst Chanel produced limited edition temporary tattoos which rapidly appeared on the lithe limbs of many a young blogger and established editor. Yet this vogue for all things inked was as ephemeral as the designs themselves. 

Tattooed stars like Rihanna, Freja, Angelina Jolie and Megan Fox remain anomalies amongst the mass of virgin skin in mainstream Hollywood. Heavily inked men are regarded as rugged, manly, hard and sexy. Tattooed women may be perceived as sexy but they are equally regarded as the 'bad girls'. The girls with an attitude. The ones you wouldn't trust. The bitches.

When did tattoos get such a bad reputation? 

Beauty is only skin deep. As deep as the ink which stains it.

Sunday 28 November 2010

ROMA- the eternal city.













I just got back from a four day shoot in Rome. I can't believe I had the opportunity to work in such an amazingly beautiful and historic city. LOVED IT.

Saturday 20 November 2010

'Turning Japanese'

When two worlds collide.

American icons of pop culture meet Japanese artistic genius.

Mass media, hyper consumerism and the dominance of the visual form.

Whimsical childish fantasy transformed into provocative art with potential sexual objectification of women.

Who said this was all just fun and games?



Autumn/Winter 2010 covers of POP magazine- featuring Britney Spears and Art Directed by Takashi Murakami.


McG/Takashi Murakami music video 'Akihabara Majokko Princess' featuring Kirsten Dunst . Showcased in the 'Pop Life' exhibit at the Tate Modern in 2009.

'Imagine all the people, living for today.'

The genius that is Annie Leibovitz. Her innate ability to capture the underlying frisson of emotion in her subjects is incredible. Her lens has captured many of the world's most beautiful and talented people in suitably iconic shots which have endured through the years. These shots in particular encapsulate the zeitgeist of the 80s and 90s respectively and will likely remain two of the most enduring images of the twentieth century.



Thursday 11 November 2010

How to walk in high heels (that you can't afford)...

If money were no object.

If comfort wasn't a factor.

If I had the clothes to wear with them.

These are the shoes that would adorn my feet...



Jimmy Choo 'Ciara' Sandals (as worn here by Leighton Meester in Emilio Pucci at the CMAs)-glitsy, over the top, oozing sexuality and glamour.



Alexander McQueen floral engraved leather boots-pure artistry.



Acne 'Hybria' wedge ankle boots. Simple yet modern with a sleek rock edge.

Elizabeth and James snake-effect leather pumps. Classic courts made fresh with faux snakeskin and a block platform. Neutral, feminine and utterly wearable.


Nicolas Ghesquiere for Balenciaga. Architectural, geometric, block colour, platform craziness. They are in a glass display case in Selfridges. These are collectors items rather than practical footwear.


Tuesday 9 November 2010

Poetry on the Underground

The government continues to spread awareness of notable literary figures and budding new talent through the 'Poetry on the Underground' initiative. Alongside the solemnly beautiful 'A Boy should Wonder', which I posted about a few days ago, is this newly spotted poetic treat.

'The Way we Go' by Katherine Towers
-a poem from her Guardian shortlisted first book.

the way we go about our lives
trying out each empty room
like houses we might own
eavesdropping for clues in corridors until


standing at a gate or attic window
seeing beauty in a flag of sky
we're gone, leaving the doors open
all the lights burning


I think it captures a child's outlook on life- full of adventure, wonder, speculation and intrigue.

Sunday 7 November 2010

Calvin Klein

You can never fault the elegant simplicity and sophistication of Calvin Klein. Especially not with beautiful pieces like these...




David Koma

After seeing Cheryl Cole in David Koma on last years XFactor the majority of the non-fashion conscientious public issued a plethora of vitriolic responses. The insults largely centred on the 'ugliness' of the dress by comparing it to unpleasant household objects like tin cans and dustbin lids. I would like to believe that the negative reaction to the dress was caused in part by the awful styling. Large silver hoops, scraped back hair and over the knee boots weren't quite the simple yet modern accessories which the dress required.


Beyonce's afro styling and cheap red lipstick wasn't any more flattering...


Perhaps the entire collection from David Koma was just too futuristic and geometric for the conventional tastes of society at the time.

I would like to think, however, with the rise of expressive, daring and experimental artists such as Lady Gaga, Paloma Faith, Florence Welch, Marina Diamandis and Rihanna that we have grown more accustomed to eccentric fashion and are thus more willing to accept and appreciate unusual designers. 



David Koma's latest collection contains all the structural and architectural elements of his previous work but the colour tones of white, cream and gold give it a softer, more commercially viable, edge. The pieces range from McQueen-esque mini dresses with mesh panels, cut-outs and corsetry to Nicolas Ghesquiere for Balenciaga inspired maxi dresses in panels of black, white and acid lemon yellow. The black and gold dresses have a luxe rock glamour edge which is reminiscent of the last few Balmain collections and the strong 70s theme of the SS11 season. The white pieces are startlingly beautiful in their feminine yet modern simplicity.











The other addition to this successful new collection is the collaboration with accessories and footwear designers. A range of large yet elegant gold cuffs by Mawi adorn the models' arms whilst their feet are encased in strong wedge boots with linear panelled detailing by Alain Quilici. A perfect capsule collection of day to evening dresses for the confident modern woman.